Bert shot with a bag full of Ikea items—a salad bowl as beauty dish, a shower curtain, an artificial plant...I don’t think he ever found a way to use that toilet brush though. Zack showed off the mood of light, Sara wrapped her model in fabric and Mindy revealed the world of Forbidden Tattoos. Elia took us around the globe, Kevin brought us home and Ruddy made us think about it all. Jonas, of course, made us all feel like underachievers: how the hell can this guy also be a doctor? Bloody hell. And then there was Ines and Jan and Anushka and Peter and Elke...what moves me most about Fujifilm’s presence at Photokina is this focus on photographers and their work. We all get to learn so much from everyone that returning home is almost a letdown; Jonas spoke of withdrawal in his Chronicle post this week...it’s not a bad analogy.
My set was half/half: I told a couple of stories about commercial jobs and the importance of visual exploration—then I switched to studio mode with the help of Fabian, our male model. The idea was to create five different looks, using nothing but the small Profoto A1 strobe and the included Dome Diffuser. No softbox, no umbrella...this was all about positioning the light and subject to achieve different results. Although I did cheat on the last day by bouncing it off the white wall—I wanted a different take on the cinematic look I’d done in the previous sets. Sue me ;)
A few of those images below, all processed from GFX 50S raw files using the brand spanking new Capture One Pro 11.3. Side note: Am I excited about this? Oh dear god, you have no idea. It doesn’t just work: it works WELL. Still waiting on the upcoming film simulations support, but this is already like waking from a long slumber. Any concerns I had about C1 have now evaporated completely. More on this eventually...
VARIOUS MOODS AND GRADINGS (PROFOTO A1+GFX 50S+CAPTURE ONE PRO)
So how have you all been? It feels like ages since I’ve spoken in a voice that was purely conversational—as opposed to the Story (capital S) inner monologue. I feel the need for a mea culpa: man did I let the blog fall by the wayside. I still have several essays to publish from the UK series as well as other more mundane episodes, stolen, as usual, from our everyday lives. Some of these have made their way to KAGE’s Chronicle 90 journaling project; others still sit on an external hard drive, waiting. It’s a common byproduct of summer months, to be scattered this way, but it seems to have been more intense this year: part fatigue, part busyness, part imposed secrecy. At some point it all blended together to create a—paradoxically—frantic standstill. Don’t even try imagining ;)
But Fall is here. On cue, the air is cooler and we can finally sleep under the covers again. And I can also share some bits of news I’d been keeping for myself.
Stoked about this: I’ll be leaving for Germany (via a short detour to Brussels) in a couple of weeks: I’m scheduled to speak at Photokina, on the Fujifilm Studio stage. This will be part talk, part live shoot. Very much looking forward to seeing friends out there again: it’s a really cool lineup and three of my KAGE buddies will be there as well so...beer? Perhaps a few.
If you’re planning to visit be sure to come and say hi if you get the chance.
We have a new KAGE member too! Dominique Shaw has joined our ranks. We’re very excited to see her work in the months ahead. We’ve added her profile to the website and she’ll start publishing right after we end the Chronicle 90 project I just mentioned.
MEDIUM FORMAT MAGAZINE
Admittedly, the GFX has caused a minor seismic shift in my small corner of the universe: what began as a tentative experiment has since impacted much more of my photography than I initially thought it would. Medium Format is a new digital publication and website where, every two months, I’ll be exploring the topic through a column entitled Frailties.
While in the UK last June for Kevin Mullin’s brilliant X-Weddings conference, I had the great pleasure of sitting down for an in-depth interview with Brian from Ffoton—a website and podcast based in Wales and dedicated to photography. Most interviews tend to happen through Skype these days—for obvious reasons—and there’s such a different dynamic to a casual, face to face conversation. Ideas and topics bounce off each other so much more naturally. A highly enjoyable encounter. Plus: if you’re looking to spend a few hours listening to photographers, this site will have you covered for days.
Oh and speaking of X-Weddings: that was an absolute blast. The events were a blast, the folks attending the conference and those on my workshop were a blast—and the invited photographers were...well yes, a blast. And crazy talented. This is where I met Dominique (and her brother Liam) but also Marianne Chua, Facundo Santana and Neale James. You’ll see more of these last two compadres when I get around to posting the Brighton pics...I will, promised. But I especially want to mention Neale’s new podcast: Breathe Pictures. Neale is a documentary wedding photographer, but he was once a BBC DJ. He sounds like a BBC DJ. He’s also a storyteller who has a hell of a knack for packaging shows that completely draw you in. Episode 1 is a wrap up of X-Weddings—complete with a few funny car conversations on our way to Brighton. But believe me, you’ll absolutely want to dig into the next episodes. Notably, episode 3 is with the late great Steve Shipman, who we sadly lost a few months ago.
I believe that’s it for the roundup.
P.S We have a dog now. And a cat. Discuss...;)
I’ve never been to Bath. Hell...I’ve never been to England, period. So when my friend Kevin Mullins asked if I’d be interested in being a guest speaker for his X-Weddings Conference 2018...let’s just say I didn’t hesitate much. My only apprehension stemmed from not being a wedding shooter—surrounded by world-renowned wedding shooters. But he quickly assured me it wouldn’t be a problem, that the goal was to go beyond a strictly wedding-oriented event. We are all visual storytellers and documentarians, regardless of subject matter. The conference will feature seven speakers: Facundo Santana (Argentina), Marianne Chua (England), Neale James (England), York Place Studios (England). Of course Kevin Mullins and yours truly to round it all up. Honestly, the work from these fellow photographers is humbling to say the least.
So here we go: off to Bath on June 12th and 13th 2018. I’ll be giving a talk entitled The United States of Photography on day one, and then manning a full-day workshop on day two. I’m taking a maximum of 6 participants for the workshop so space for this one is limited—I prefer keeping it small and personal. Facundo is also giving a workshop on the same day (12 max participants for his).
I’m extremely excited about this event and about finally setting foot on UK soil. We do share a Queen after all (yes, The Crown has indeed had an impact on our household). If you’re interested I have a promo code for you: plr2018 will give you a 5% discount on tickets for Keynote Day.
Jolly good times ahead I’m sure.
I haven’t talked about it much but I’m leaving for Belgium and Germany on September 17th. I’ll be driving down to Photokina for the first few days of the event, then back to my buddy Bert Stephani’s place until the 28th. No speaking engagements this year but I'm shooting an essay for the December issue of Photo Life magazine and I'm very much looking forward to catching up with a whole lot of comrades.
While I'm in Europe, Bert and I will also be hosting the first official KAGE workshop: The Temporary Collective—a full-day event focusing on visual storytelling, to be held in Brussels on September 26th. We'll be discussing subject, methodology, engagement and storyboarding, with each participant expected to produce an essay that will appear in an upcoming issue of KAGE. We're keeping the group small (6 seats max) to provide a more hands-on and personalized experience. Limited X-series gear will be available to test as well.
It's on a Monday. I know...scheduling issues forced us to choose that date. But if you're interested and available we're running an early bird special until September 9th and we'd love to see you. All you need is a camera, some sort of image editing device for the processing/editing portion of the workshop and a good pair of shoes. More info here.
Btw: Fujifilm has now released its full Photokina schedule and it's jam-packed with great speakers. I'll be checking a bunch of these out while I'm there so if you're around be sure to come and say hello.